| Type | work | bureau |
|---|
| Year / years | 1882 | 1946 |
|---|
| Place | Milwaukee, Milwaukee, United States | Tokyo, Tokyo, Japan |
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| Place context | Milwaukee, Milwaukee, United States | Representative site: Minneapolis, Minneapolis, United States |
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| Climate | 8°C · 13.6h daylight · 22 km/h wind | 8°C · 13.7h daylight · 20 km/h wind · via Minneapolis Institute of Art |
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| Focus | Museum | 28 works in corpus |
|---|
| Architects | | |
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| Linked context | Bureaus - Eero Saarinen and Associates
| Notable works - Minneapolis Institute of Art
- Assumption of Mary Cathedral, Hiroshima
- Grand Prince Hotel Akasaka
- Hiroshima Peace Memorial Museum
|
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| Typologies | | - museum
- church
- sacred space
- cathedral
- memorial
- hospitality
- landscape
- sports venue
|
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| Materials | Not recorded yet. | |
|---|
| Carbon signals | museum and gallery gives us a typology starting point even though the work does not have a recorded material palette yet. No dominant drivers yet. | Concrete look like the main embodied-carbon drivers in the current palette. |
|---|
| Lower-carbon levers | No levers surfaced yet. | - Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
|
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| Accessibility | Publicly accessible | 13 of 13 recorded works are publicly accessible |
|---|
| Related books | No linked books yet. | No linked books yet. |
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