| Type | work | bureau |
|---|
| Year / years | 1954 | 1946 |
|---|
| Place | Tallahassee, Tallahassee, United States | Tokyo, Tokyo, Japan |
|---|
| Place context | Tallahassee, Tallahassee, United States | Representative site: Minneapolis, Minneapolis, United States |
|---|
| Climate | Climate unavailable | Climate unavailable · via Minneapolis Institute of Art |
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| Focus | House | 28 works in corpus |
|---|
| Architects | | |
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| Linked context | Bureaus - Frank Lloyd Wright Foundation
| Notable works - Minneapolis Institute of Art
- Assumption of Mary Cathedral, Hiroshima
- Grand Prince Hotel Akasaka
- Hiroshima Peace Memorial Museum
|
|---|
| Typologies | | - museum
- church
- sacred space
- cathedral
- memorial
- hospitality
- landscape
- sports venue
|
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| Materials | | |
|---|
| Carbon signals | Concrete, Glass, and Stone look like the main embodied-carbon drivers in the current palette. | Concrete look like the main embodied-carbon drivers in the current palette. |
|---|
| Lower-carbon levers | - Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
- Compare system-level facade options, reduce overspecification, and pair glass choices with structural reductions.
- Check source geography, fabrication intensity, and whether stone is structural, cladding, or finish-only.
| - Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
|
|---|
| Accessibility | Access not recorded | 13 of 13 recorded works are publicly accessible |
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| Related books | No linked books yet. | No linked books yet. |
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