| Type | work | bureau |
|---|
| Year / years | 1987 | 1946 |
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| Place | Paris, Ile-de-France, France | Tokyo, Tokyo, Japan |
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| Place context | Paris, Ile-de-France, France | Representative site: Minneapolis, Minneapolis, United States |
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| Climate | 14°C · 14.0h daylight · 13 km/h wind | -1°C · 13.8h daylight · 7 km/h wind · via Minneapolis Institute of Art |
|---|
| Focus | Cultural institute | 28 works in corpus |
|---|
| Architects | | |
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| Linked context | Bureaus | Notable works - Minneapolis Institute of Art
- Assumption of Mary Cathedral, Hiroshima
- Grand Prince Hotel Akasaka
- Hiroshima Peace Memorial Museum
|
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| Typologies | - cultural center
- institutional building
- museum
| - museum
- church
- sacred space
- cathedral
- memorial
- hospitality
- landscape
- sports venue
|
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| Materials | | |
|---|
| Carbon signals | Aluminum, Steel, and Glass look like the main embodied-carbon drivers in the current palette. | Concrete look like the main embodied-carbon drivers in the current palette. |
|---|
| Lower-carbon levers | - Focus on recycled content, lighter assemblies, and careful facade-specification choices.
- Prioritize recycled content, efficient sections, and procurement-specific EPD comparisons.
- Compare system-level facade options, reduce overspecification, and pair glass choices with structural reductions.
| - Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
|
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| Accessibility | Publicly accessible | 13 of 13 recorded works are publicly accessible |
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| Related books | No linked books yet. | No linked books yet. |
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