| Type | work | bureau |
|---|
| Year / years | 2003 | 1946 |
|---|
| Place | Esgueira, Esgueira, Portugal | Tokyo, Tokyo, Japan |
|---|
| Place context | Esgueira, Esgueira, Portugal | Representative site: Minneapolis, Minneapolis, United States |
|---|
| Climate | 13°C · 13.5h daylight · 1 km/h wind | 0°C · 13.8h daylight · 1 km/h wind · via Minneapolis Institute of Art |
|---|
| Focus | Architecture | 28 works in corpus |
|---|
| Architects | | |
|---|
| Linked context | Bureaus | Notable works - Minneapolis Institute of Art
- Assumption of Mary Cathedral, Hiroshima
- Grand Prince Hotel Akasaka
- Hiroshima Peace Memorial Museum
|
|---|
| Typologies | | - museum
- church
- sacred space
- cathedral
- memorial
- hospitality
- landscape
- sports venue
|
|---|
| Materials | Not recorded yet. | |
|---|
| Carbon signals | sports venue gives us a typology starting point even though the work does not have a recorded material palette yet. No dominant drivers yet. | Concrete look like the main embodied-carbon drivers in the current palette. |
|---|
| Lower-carbon levers | No levers surfaced yet. | - Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
|
|---|
| Accessibility | Access not recorded | 13 of 13 recorded works are publicly accessible |
|---|
| Related books | No linked books yet. | No linked books yet. |
|---|