| Type | work | bureau |
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| Year / years | 1898 | 1946 |
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| Place | Asahikawa, Asahikawa, Japan | Tokyo, Tokyo, Japan |
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| Place context | 旭川駅北口広場, 神楽, 宮下通八丁目, 旭川市, 日本 | Representative site: 3rd Avenue South, Phillips, Whittier, Minneapolis, Minnesota, United States |
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| Climate | 11°C · 13.7h daylight · 10 km/h wind | -1°C · 13.8h daylight · 6 km/h wind · via Minneapolis Institute of Art |
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| Focus | Performance venue | 28 works in corpus |
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| Architects | | |
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| Linked context | Bureaus - Hiroshi Naito Architect & Associates
| Notable works - Minneapolis Institute of Art
- Assumption of Mary Cathedral, Hiroshima
- Grand Prince Hotel Akasaka
- Hiroshima Peace Memorial Museum
|
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| Typologies | | - museum
- church
- sacred space
- cathedral
- memorial
- hospitality
- landscape
- sports venue
|
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| Materials | Not recorded yet. | |
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| Carbon signals | performance venue gives us a typology starting point even though the work does not have a recorded material palette yet. No dominant drivers yet. | Concrete look like the main embodied-carbon drivers in the current palette. |
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| Lower-carbon levers | No levers surfaced yet. | - Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
|
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| Accessibility | Publicly accessible | 13 of 13 recorded works are publicly accessible |
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| Related books | No linked books yet. | No linked books yet. |
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