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Compare

Compare works, bureaus, or a mixed set

Read a small selection side by side through images, place context, climate, typology, materials, carbon signals, accessibility, and related books.

WorksBureausMixedReset selection

Projects

1 selected · 1 other item held elsewhere in the compare set

Bureaus

1 selected · 1 other item held elsewhere in the compare set

Visual compare

The selected works stay in sync by slot, while the pins map where they sit inside the mixed set.

No plan or image is recorded for this slot yet.

Image 1

1 World Trade Center (1970–2001)

1970 · Manhattan, Manhattan, United States

Manhattan, Manhattan, United States

8°C · 13.5h daylight · 10 km/h wind

Map pins

Site spread

Pins are normalized from the recorded work coordinates so you can read the set spatially.

1 World Trade Center (1970–2001)

Manhattan, Manhattan, United States · Exact work coordinates

OpenStreetMap

Focused slot

1 World Trade Center (1970–2001)

Image 1

Manhattan, Manhattan, United States

Climate: 8°C · 13.5h daylight · 10 km/h wind

Mapping: Exact work coordinates

View workMap pin

Comparison

Field
1 World Trade Center (1970–2001)

1970 · Manhattan, Manhattan, United States

Kenzo Tange AssociatesKenzo Tange Associates

1946 · Tokyo, Tokyo, Japan

Typeworkbureau
Year / years19701946
PlaceManhattan, Manhattan, United StatesTokyo, Tokyo, Japan
Place contextManhattan, Manhattan, United StatesRepresentative site: Minneapolis, Minneapolis, United States
Climate8°C · 13.5h daylight · 10 km/h wind7°C · 13.7h daylight · 17 km/h wind · via Minneapolis Institute of Art
FocusArchitecture28 works in corpus
Architects
  • Minoru Yamasaki
  • Kenzo Tange
Linked context

Bureaus

  • Yamasaki & Associates

Notable works

  • Minneapolis Institute of Art
  • Assumption of Mary Cathedral, Hiroshima
  • Grand Prince Hotel Akasaka
  • Hiroshima Peace Memorial Museum
Typologies
  • tower
  • museum
  • church
  • sacred space
  • cathedral
  • memorial
  • hospitality
  • landscape
  • sports venue
Materials

Not recorded yet.

  • concrete
Carbon signals

tower gives us a typology starting point even though the work does not have a recorded material palette yet.

No dominant drivers yet.

Concrete look like the main embodied-carbon drivers in the current palette.

  • Concrete
Lower-carbon levers

No levers surfaced yet.

  • Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
AccessibilityAccess not recorded13 of 13 recorded works are publicly accessible
Related books

No linked books yet.

No linked books yet.