| Type | work | bureau |
|---|
| Year / years | 1975 | Unrecorded |
|---|
| Place | Sant Just Desvern, Catalonia, Spain | Fukuoka, Fukuoka Prefecture, Japan |
|---|
| Place context | Sant Just Desvern, Catalonia, Spain | Representative site: Akasaka, Akasaka, Japan |
|---|
| Climate | 22°C · 13.5h daylight · 5 km/h wind | 18°C · 13.3h daylight · 9 km/h wind · via Suntory Museum of Art |
|---|
| Focus | Housing complex | 16 works in corpus |
|---|
| Architects | | |
|---|
| Linked context | Bureaus - Ricardo Bofill Taller de Arquitectura
| Notable works - Suntory Museum of Art
- Takaosanguchi Station
- Centro de Arte Moderna Gulbenkian
- Nagasaki Prefectural Art Museum
|
|---|
| Typologies | - housing
- residential complex
- collective housing
| - museum
- house
- performance venue
- building
- cultural building
- landscape
- civic building
- tourism infrastructure
|
|---|
| Materials | - concrete
- ceramic
- painted stucco
| - bamboo
- wood
- glass
- steel
- other
- timber
|
|---|
| Carbon signals | Concrete, Ceramic, and Painted Stucco look like the main embodied-carbon drivers in the current palette. - Concrete
- Ceramic
- Painted Stucco
| Steel, Bamboo, and Glass look like the main embodied-carbon drivers in the current palette. |
|---|
| Lower-carbon levers | - Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
- Use classification and product-level EPD research to place this material more precisely.
| - Prioritize recycled content, efficient sections, and procurement-specific EPD comparisons.
- Use classification and product-level EPD research to place this material more precisely.
- Compare system-level facade options, reduce overspecification, and pair glass choices with structural reductions.
- Track sourcing, certification, and assembly logic rather than assuming timber is automatically low impact.
|
|---|
| Accessibility | Private or restricted | 10 of 10 recorded works are publicly accessible |
|---|
| Related books | No linked books yet. | No linked books yet. |
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