| Type | work | bureau |
|---|
| Year / years | 1983 | Unrecorded |
|---|
| Place | Bratislava, Bratislava Region, Slovakia | Fukuoka, Fukuoka Prefecture, Japan |
|---|
| Place context | Bratislava, Bratislava Region, Slovakia | Representative site: Akasaka, Akasaka, Japan |
|---|
| Climate | Climate unavailable | 13°C · 13.3h daylight · 5 km/h wind · via Suntory Museum of Art |
|---|
| Focus | Broadcast center | 16 works in corpus |
|---|
| Architects | No architects linked yet. | |
|---|
| Linked context | Bureaus No linked context yet. | Notable works - Suntory Museum of Art
- Takaosanguchi Station
- Centro de Arte Moderna Gulbenkian
- Nagasaki Prefectural Art Museum
|
|---|
| Typologies | - broadcast center
- brutalism
- civic building
| - museum
- house
- performance venue
- building
- cultural building
- landscape
- civic building
- tourism infrastructure
|
|---|
| Materials | | - bamboo
- wood
- glass
- steel
- other
- timber
|
|---|
| Carbon signals | Concrete and Steel look like the main embodied-carbon drivers in the current palette. | Steel, Bamboo, and Glass look like the main embodied-carbon drivers in the current palette. |
|---|
| Lower-carbon levers | - Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
- Prioritize recycled content, efficient sections, and procurement-specific EPD comparisons.
| - Prioritize recycled content, efficient sections, and procurement-specific EPD comparisons.
- Use classification and product-level EPD research to place this material more precisely.
- Compare system-level facade options, reduce overspecification, and pair glass choices with structural reductions.
- Track sourcing, certification, and assembly logic rather than assuming timber is automatically low impact.
|
|---|
| Accessibility | Publicly accessible | 10 of 10 recorded works are publicly accessible |
|---|
| Related books | No linked books yet. | No linked books yet. |
|---|