| Type | work | bureau |
|---|
| Year / years | 1972 | Unrecorded |
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| Place | Fort Worth, Texas, United States | Fukuoka, Fukuoka Prefecture, Japan |
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| Place context | Fort Worth, Texas, United States | Representative site: Akasaka, Akasaka, Japan |
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| Climate | 13°C · 13.2h daylight · 4 km/h wind | 22°C · 13.3h daylight · 6 km/h wind · via Suntory Museum of Art |
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| Focus | Museum | 16 works in corpus |
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| Architects | | |
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| Linked context | Bureaus | Notable works - Suntory Museum of Art
- Takaosanguchi Station
- Centro de Arte Moderna Gulbenkian
- Nagasaki Prefectural Art Museum
|
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| Typologies | - museum
- art museum
- cultural building
| - museum
- house
- performance venue
- building
- cultural building
- landscape
- civic building
- tourism infrastructure
|
|---|
| Materials | - concrete
- travertine
- aluminum
| - bamboo
- wood
- glass
- steel
- other
- timber
|
|---|
| Carbon signals | Aluminum, Concrete, and Travertine look like the main embodied-carbon drivers in the current palette. - Aluminum
- Concrete
- Travertine
| Steel, Bamboo, and Glass look like the main embodied-carbon drivers in the current palette. |
|---|
| Lower-carbon levers | - Focus on recycled content, lighter assemblies, and careful facade-specification choices.
- Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
- Use classification and product-level EPD research to place this material more precisely.
| - Prioritize recycled content, efficient sections, and procurement-specific EPD comparisons.
- Use classification and product-level EPD research to place this material more precisely.
- Compare system-level facade options, reduce overspecification, and pair glass choices with structural reductions.
- Track sourcing, certification, and assembly logic rather than assuming timber is automatically low impact.
|
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| Accessibility | Publicly accessible | 10 of 10 recorded works are publicly accessible |
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| Related books | | No linked books yet. |
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