| Type | work | bureau |
|---|
| Year / years | 1922 | Unrecorded |
|---|
| Place | Nishi-Ikebukuro, Nishi-Ikebukuro, Japan | Fukuoka, Fukuoka Prefecture, Japan |
|---|
| Place context | Nishi-Ikebukuro, Nishi-Ikebukuro, Japan | Representative site: Akasaka, Akasaka, Japan |
|---|
| Climate | 12°C · 13.3h daylight · 2 km/h wind | 13°C · 13.3h daylight · 4 km/h wind · via Suntory Museum of Art |
|---|
| Focus | Education building | 16 works in corpus |
|---|
| Architects | | |
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| Linked context | Bureaus - Frank Lloyd Wright Foundation
| Notable works - Suntory Museum of Art
- Takaosanguchi Station
- Centro de Arte Moderna Gulbenkian
- Nagasaki Prefectural Art Museum
|
|---|
| Typologies | | - museum
- house
- performance venue
- building
- cultural building
- landscape
- civic building
- tourism infrastructure
|
|---|
| Materials | Not recorded yet. | - bamboo
- wood
- glass
- steel
- other
- timber
|
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| Carbon signals | education gives us a typology starting point even though the work does not have a recorded material palette yet. No dominant drivers yet. | Steel, Bamboo, and Glass look like the main embodied-carbon drivers in the current palette. |
|---|
| Lower-carbon levers | No levers surfaced yet. | - Prioritize recycled content, efficient sections, and procurement-specific EPD comparisons.
- Use classification and product-level EPD research to place this material more precisely.
- Compare system-level facade options, reduce overspecification, and pair glass choices with structural reductions.
- Track sourcing, certification, and assembly logic rather than assuming timber is automatically low impact.
|
|---|
| Accessibility | Access not recorded | 10 of 10 recorded works are publicly accessible |
|---|
| Related books | No linked books yet. | No linked books yet. |
|---|