| Type | work | bureau |
|---|
| Year / years | Unknown | 1990 |
|---|
| Place | Basel, Basel, Switzerland | Tokyo, Tokyo, Japan |
|---|
| Place context | Schwarzwaldallee, Hirzbrunnen, Basel, Basel-Stadt, Schweiz/Suisse/Svizzera/Svizra | Representative site: 六本木七丁目, 港区, 日本 |
|---|
| Climate | 19°C · 13.4h daylight · 9 km/h wind | 14°C · 13.0h daylight · 5 km/h wind · via Nezu Museum |
|---|
| Focus | Performance venue | 2 works in corpus |
|---|
| Architects | | |
|---|
| Linked context | Bureaus | Notable works - Nezu Museum
- Asakusa Culture Tourist Information Center
|
|---|
| Typologies | | - museum
- cultural building
- landscape
- civic building
- tourism infrastructure
- urban infill
|
|---|
| Materials | Not recorded yet. | |
|---|
| Carbon signals | performance venue gives us a typology starting point even though the work does not have a recorded material palette yet. No dominant drivers yet. | Steel, Bamboo, and Glass look like the main embodied-carbon drivers in the current palette. |
|---|
| Lower-carbon levers | No levers surfaced yet. | - Prioritize recycled content, efficient sections, and procurement-specific EPD comparisons.
- Use classification and product-level EPD research to place this material more precisely.
- Compare system-level facade options, reduce overspecification, and pair glass choices with structural reductions.
- Track sourcing, certification, and assembly logic rather than assuming timber is automatically low impact.
|
|---|
| Accessibility | Publicly accessible | 2 of 2 recorded works are publicly accessible |
|---|
| Related books | No linked books yet. | No linked books yet. |
|---|