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Compare works, bureaus, or a mixed set

Read a small selection side by side through images, place context, climate, typology, materials, carbon signals, accessibility, and related books.

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Projects

1 selected · 1 other item held elsewhere in the compare set

Bureaus

1 selected · 1 other item held elsewhere in the compare set

Visual compare

The selected works stay in sync by slot, while the pins map where they sit inside the mixed set.

Vilamajo House Museum in Montevideo, Uruguay

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Vilamajo House Museum

1930 · Montevideo, Montevideo Department, Uruguay

Vilamajo House Museum image

Seed wave 45 image for the Vilamajo House Museum.

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Pins are normalized from the recorded work coordinates so you can read the set spatially.

Vilamajo House Museum

Montevideo, Montevideo Department, Uruguay · Exact work coordinates

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Comparison

Field
Vilamajo House MuseumVilamajo House Museum

1930 · Montevideo, Montevideo Department, Uruguay

Karl MoserKarl Moser

1888 · Zurich, Zurich, Switzerland

Typeworkbureau
Year / years19301888
PlaceMontevideo, Montevideo Department, UruguayZurich, Zurich, Switzerland
Place contextMontevideo, Montevideo Department, UruguayRepresentative site: Aarau, Aarau, Switzerland
Climate21°C · 11.1h daylight · 9 km/h wind12°C · 13.9h daylight · 7 km/h wind · via Old Cantonal School Aarau
FocusHouse museum4 works in corpus
Architects
  • Julio Vilamajo
  • Karl Moser
Linked context

Bureaus

  • Julio Vilamajo

Notable works

  • Old Cantonal School Aarau
  • St. Paul's Church, Basel
  • St. Paul's Church, Bern
  • Basel Badischer Bahnhof
Typologies
  • house
  • museum
  • residence
  • education
  • church
  • sacred space
  • gallery
  • tower
  • performance venue
Materials
  • masonry
  • stucco
  • timber
  • stone
  • glass
Carbon signals

Brick and Stucco look like the main embodied-carbon drivers in the current palette.

  • Brick
  • Stucco

Glass and Stone look like the main embodied-carbon drivers in the current palette.

  • Glass
  • Stone
Lower-carbon levers
  • Review masonry extent, reuse opportunities, and alternate assemblies where the design language allows it.
  • Use classification and product-level EPD research to place this material more precisely.
  • Track sourcing, certification, and assembly logic rather than assuming timber is automatically low impact.
  • Compare system-level facade options, reduce overspecification, and pair glass choices with structural reductions.
  • Check source geography, fabrication intensity, and whether stone is structural, cladding, or finish-only.
AccessibilityPublicly accessible4 of 4 recorded works are publicly accessible
Related books

No linked books yet.

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