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Compare works, bureaus, or a mixed set

Read a small selection side by side through images, place context, climate, typology, materials, carbon signals, accessibility, and related books.

1 selected · 1 other item held elsewhere in the compare set

1 selected · 1 other item held elsewhere in the compare set

The selected works stay in sync by slot, while the pins map where they sit inside the mixed set.

Nelson-Atkins Museum of Art in Kansas City, United States
Nelson-Atkins Museum of Art

1933 · Kansas City, Kansas City, United States

Nelson-Atkins Museum of Art image

Art museum in Kansas City, Missouri

Site spread

Pins are normalized from the recorded work coordinates so you can read the set spatially.

Nelson-Atkins Museum of Art

Kansas City, Kansas City, United States · Exact work coordinates

OpenStreetMap
Field
Nelson-Atkins Museum of ArtNelson-Atkins Museum of Art

1933 · Kansas City, Kansas City, United States

Karl MoserKarl Moser

1888 · Zurich, Zurich, Switzerland

Typeworkbureau
Year / years19331888
PlaceKansas City, Kansas City, United StatesZurich, Zurich, Switzerland
Place contextKansas City, Kansas City, United StatesRepresentative site: Aarau, Aarau, Switzerland
Climate11°C · 13.4h daylight · 14 km/h wind11°C · 13.9h daylight · 7 km/h wind · via Old Cantonal School Aarau
FocusMuseum4 works in corpus
Architects
  • Steven Holl
  • Karl Moser
Linked context

Bureaus

  • Steven Holl Architects

Notable works

  • Old Cantonal School Aarau
  • St. Paul's Church, Basel
  • St. Paul's Church, Bern
  • Basel Badischer Bahnhof
Typologies
  • museum
  • education
  • church
  • sacred space
  • gallery
  • tower
  • performance venue
Materials

Not recorded yet.

  • stone
  • glass
Carbon signals

museum gives us a typology starting point even though the work does not have a recorded material palette yet.

No dominant drivers yet.

Glass and Stone look like the main embodied-carbon drivers in the current palette.

  • Glass
  • Stone
Lower-carbon levers

No levers surfaced yet.

  • Compare system-level facade options, reduce overspecification, and pair glass choices with structural reductions.
  • Check source geography, fabrication intensity, and whether stone is structural, cladding, or finish-only.
AccessibilityPublicly accessible4 of 4 recorded works are publicly accessible
Related books

No linked books yet.

No linked books yet.