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Compare works, bureaus, or a mixed set

Read a small selection side by side through images, place context, climate, typology, materials, carbon signals, accessibility, and related books.

1 selected · 1 other item held elsewhere in the compare set

1 selected · 1 other item held elsewhere in the compare set

The selected works stay in sync by slot, while the pins map where they sit inside the mixed set.

Nagoya City Art Museum in Sakae 2-chōme, Japan
Nagoya City Art Museum

1988 · Sakae 2-chōme, Sakae 2-chōme, Japan

Nagoya City Art Museum image

Museum in Nagoya, Aichi, Japan

Site spread

Pins are normalized from the recorded work coordinates so you can read the set spatially.

Nagoya City Art Museum

Sakae 2-chōme, Sakae 2-chōme, Japan · Exact work coordinates

OpenStreetMap
Field
Nagoya City Art MuseumNagoya City Art Museum

1988 · Sakae 2-chōme, Sakae 2-chōme, Japan

Karl MoserKarl Moser

1888 · Zurich, Zurich, Switzerland

Typeworkbureau
Year / years19881888
PlaceSakae 2-chōme, Sakae 2-chōme, JapanZurich, Zurich, Switzerland
Place contextSakae 2-chōme, Sakae 2-chōme, JapanRepresentative site: Aarau, Aarau, Switzerland
Climate21°C · 13.2h daylight · 11 km/h wind11°C · 13.9h daylight · 7 km/h wind · via Old Cantonal School Aarau
FocusMuseum4 works in corpus
Architects
  • Kisho Kurokawa
  • Karl Moser
Linked context

Bureaus

  • Kisho Kurokawa Architect & Associates

Notable works

  • Old Cantonal School Aarau
  • St. Paul's Church, Basel
  • St. Paul's Church, Bern
  • Basel Badischer Bahnhof
Typologies
  • museum
  • landscape
  • education
  • church
  • sacred space
  • gallery
  • tower
  • performance venue
Materials

Not recorded yet.

  • stone
  • glass
Carbon signals

museum and landscape gives us a typology starting point even though the work does not have a recorded material palette yet.

No dominant drivers yet.

Glass and Stone look like the main embodied-carbon drivers in the current palette.

  • Glass
  • Stone
Lower-carbon levers

No levers surfaced yet.

  • Compare system-level facade options, reduce overspecification, and pair glass choices with structural reductions.
  • Check source geography, fabrication intensity, and whether stone is structural, cladding, or finish-only.
AccessibilityPublicly accessible4 of 4 recorded works are publicly accessible
Related books

No linked books yet.

No linked books yet.