| Type | work | bureau |
|---|
| Year / years | 1895 | 1810 |
|---|
| Place | Cambridge, Cambridge, United States | Berlin, Berlin, Germany |
|---|
| Place context | Quincy Street, Cambridge, Massachusetts, United States | Representative site: Oberkirchplatz, Frankfurt (Oder), Brandenburg, Deutschland |
|---|
| Climate | 18°C · 13.3h daylight · 10 km/h wind | 6°C · 13.9h daylight · 6 km/h wind · via Marienkirche, Frankfurt (Oder) |
|---|
| Focus | Museum | 20 works in corpus |
|---|
| Architects | | |
|---|
| Linked context | Bureaus - Renzo Piano Building Workshop
| Notable works - Marienkirche, Frankfurt (Oder)
- Chorin Abbey
- Stolzenfels Castle
- Berlin Palace
|
|---|
| Typologies | - museum
- education
- campus building
| - church
- sacred space
- building
- museum
- cathedral
- education
- campus building
- house
|
|---|
| Materials | Not recorded yet. | |
|---|
| Carbon signals | museum, education, and campus building gives us a typology starting point even though the work does not have a recorded material palette yet. No dominant drivers yet. | Brick look like the main embodied-carbon drivers in the current palette. |
|---|
| Lower-carbon levers | No levers surfaced yet. | - Review masonry extent, reuse opportunities, and alternate assemblies where the design language allows it.
|
|---|
| Accessibility | Publicly accessible | 13 of 13 recorded works are publicly accessible |
|---|
| Related books | No linked books yet. | No linked books yet. |
|---|