| Type | work | bureau |
|---|
| Year / years | 2017 | 1920-1948 |
|---|
| Place | Hamburg, Hamburg, Germany | Montevideo, Montevideo Department, Uruguay |
|---|
| Place context | Hamburg, Hamburg, Germany | Representative site: Montevideo, Montevideo Department, Uruguay |
|---|
| Climate | 11°C · 14.4h daylight · 19 km/h wind | 22°C · 11.0h daylight · 19 km/h wind · via Vilamajo House Museum |
|---|
| Focus | Concert hall | 1 works in corpus |
|---|
| Architects | - Jacques Herzog
- Pierre de Meuron
| |
|---|
| Linked context | Bureaus | Notable works |
|---|
| Typologies | - concert hall
- adaptive reuse
- cultural building
| |
|---|
| Materials | | |
|---|
| Carbon signals | Steel, Brick, and Glass look like the main embodied-carbon drivers in the current palette. | Brick and Stucco look like the main embodied-carbon drivers in the current palette. |
|---|
| Lower-carbon levers | - Prioritize recycled content, efficient sections, and procurement-specific EPD comparisons.
- Review masonry extent, reuse opportunities, and alternate assemblies where the design language allows it.
- Compare system-level facade options, reduce overspecification, and pair glass choices with structural reductions.
| - Review masonry extent, reuse opportunities, and alternate assemblies where the design language allows it.
- Use classification and product-level EPD research to place this material more precisely.
- Track sourcing, certification, and assembly logic rather than assuming timber is automatically low impact.
|
|---|
| Accessibility | Publicly accessible | 1 of 1 recorded works are publicly accessible |
|---|
| Related books | No linked books yet. | No linked books yet. |
|---|