| Type | work | bureau |
|---|
| Year / years | 2017 | 1929 |
|---|
| Place | Hamburg, Hamburg, Germany | Mexico City, Mexico City, Mexico |
|---|
| Place context | Tube, HafenCity, Quartier Am Sandtorkai/Dalmannkai, Hamburg, Deutschland | Representative site: Calle Ignacio Allende, Colonia Del Carmen, Ciudad de México, Ciudad de México, México |
|---|
| Climate | 8°C · 13.9h daylight · 4 km/h wind | 21°C · 12.6h daylight · 16 km/h wind · via Frida Kahlo Museum |
|---|
| Focus | Concert hall | 2 works in corpus |
|---|
| Architects | - Jacques Herzog
- Pierre de Meuron
| |
|---|
| Linked context | Bureaus | Notable works - Frida Kahlo Museum
- Anahuacalli Museum
|
|---|
| Typologies | - concert hall
- adaptive reuse
- cultural building
| |
|---|
| Materials | | Not recorded yet. |
|---|
| Carbon signals | Steel, Brick, and Glass look like the main embodied-carbon drivers in the current palette. | museum and house gives us a typology starting point even though the work does not have a recorded material palette yet. No dominant drivers yet. |
|---|
| Lower-carbon levers | - Prioritize recycled content, efficient sections, and procurement-specific EPD comparisons.
- Review masonry extent, reuse opportunities, and alternate assemblies where the design language allows it.
- Compare system-level facade options, reduce overspecification, and pair glass choices with structural reductions.
| No levers surfaced yet. |
|---|
| Accessibility | Publicly accessible | 2 of 2 recorded works are publicly accessible |
|---|
| Related books | No linked books yet. | No linked books yet. |
|---|