| Type | work | bureau |
|---|
| Year / years | 2017 | 1939 |
|---|
| Place | Hamburg, Hamburg, Germany | Cambridge, Massachusetts, United States |
|---|
| Place context | Hamburg, Hamburg, Germany | Representative site: Sant Andreu de Palomar, Sant Andreu de Palomar, Spain |
|---|
| Climate | 10°C · 14.4h daylight · 20 km/h wind | 22°C · 13.6h daylight · 14 km/h wind · via Casa Bloc |
|---|
| Focus | Concert hall | 3 works in corpus |
|---|
| Architects | - Jacques Herzog
- Pierre de Meuron
| |
|---|
| Linked context | Bureaus | Notable works - Casa Bloc
- Fondation Maeght
- Smith Campus Center
|
|---|
| Typologies | - concert hall
- adaptive reuse
- cultural building
| - housing
- museum
- house
- chapel
- sacred space
- education
- campus building
- infrastructure
|
|---|
| Materials | | Not recorded yet. |
|---|
| Carbon signals | Steel, Brick, and Glass look like the main embodied-carbon drivers in the current palette. | housing, museum, house, and chapel gives us a typology starting point even though the work does not have a recorded material palette yet. No dominant drivers yet. |
|---|
| Lower-carbon levers | - Prioritize recycled content, efficient sections, and procurement-specific EPD comparisons.
- Review masonry extent, reuse opportunities, and alternate assemblies where the design language allows it.
- Compare system-level facade options, reduce overspecification, and pair glass choices with structural reductions.
| No levers surfaced yet. |
|---|
| Accessibility | Publicly accessible | 1 of 1 recorded works are publicly accessible |
|---|
| Related books | No linked books yet. | No linked books yet. |
|---|