| Type | work | bureau |
|---|
| Year / years | 1990 | 1905-1945 |
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| Place | Florida, Florida, United States | Prague, Prague, Czech Republic |
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| Place context | Florida, Florida, United States | Representative site: Prague, Prague, Czech Republic |
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| Climate | 15°C · 13.0h daylight · 12 km/h wind | 11°C · 14.2h daylight · 13 km/h wind · via House of the Black Madonna |
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| Focus | Performance venue | 2 works in corpus |
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| Architects | | |
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| Linked context | Bureaus - Michael Graves Architecture & Design
| Notable works - House of the Black Madonna
- St. Wenceslas Church (Vršovice)
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| Typologies | - performance venue
- hospitality
| - mixed use
- museum
- cafe
- commercial building
- church
- sacred space
|
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| Materials | | |
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| Carbon signals | The recorded material palette leans lower-carbon on paper, but procurement and quantity still matter. No dominant drivers yet. | Concrete, Glass, and Stone look like the main embodied-carbon drivers in the current palette. |
|---|
| Lower-carbon levers | - Track sourcing, certification, and assembly logic rather than assuming timber is automatically low impact.
| - Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
- Compare system-level facade options, reduce overspecification, and pair glass choices with structural reductions.
- Check source geography, fabrication intensity, and whether stone is structural, cladding, or finish-only.
|
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| Accessibility | Publicly accessible | 2 of 2 recorded works are publicly accessible |
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| Related books | No linked books yet. | No linked books yet. |
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