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Compare

Compare works, bureaus, or a mixed set

Read a small selection side by side through images, place context, climate, typology, materials, carbon signals, accessibility, and related books.

1 selected · 1 other item held elsewhere in the compare set

1 selected · 1 other item held elsewhere in the compare set

The selected works stay in sync by slot, while the pins map where they sit inside the mixed set.

Walt Disney World Dolphin in Florida, United States
Walt Disney World Dolphin

1990 · Florida, Florida, United States

Walt Disney World Dolphin image

Hotel at Walt Disney World

Site spread

Pins are normalized from the recorded work coordinates so you can read the set spatially.

Walt Disney World Dolphin

Florida, Florida, United States · Exact work coordinates

OpenStreetMap
Field
Walt Disney World DolphinWalt Disney World Dolphin

1990 · Florida, Florida, United States

Josef GocarJosef Gocar

1905-1945 · Prague, Prague, Czech Republic

Typeworkbureau
Year / years19901905-1945
PlaceFlorida, Florida, United StatesPrague, Prague, Czech Republic
Place contextFlorida, Florida, United StatesRepresentative site: Prague, Prague, Czech Republic
Climate15°C · 13.0h daylight · 12 km/h wind11°C · 14.2h daylight · 13 km/h wind · via House of the Black Madonna
FocusPerformance venue2 works in corpus
Architects
  • Michael Graves
  • Josef Gocar
Linked context

Bureaus

  • Michael Graves Architecture & Design

Notable works

  • House of the Black Madonna
  • St. Wenceslas Church (Vršovice)
Typologies
  • performance venue
  • hospitality
  • mixed use
  • museum
  • cafe
  • commercial building
  • church
  • sacred space
Materials
  • timber
  • concrete
  • glass
  • stone
Carbon signals

The recorded material palette leans lower-carbon on paper, but procurement and quantity still matter.

No dominant drivers yet.

Concrete, Glass, and Stone look like the main embodied-carbon drivers in the current palette.

  • Concrete
  • Glass
  • Stone
Lower-carbon levers
  • Track sourcing, certification, and assembly logic rather than assuming timber is automatically low impact.
  • Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
  • Compare system-level facade options, reduce overspecification, and pair glass choices with structural reductions.
  • Check source geography, fabrication intensity, and whether stone is structural, cladding, or finish-only.
AccessibilityPublicly accessible2 of 2 recorded works are publicly accessible
Related books

No linked books yet.

No linked books yet.