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Compare

Compare works, bureaus, or a mixed set

Read a small selection side by side through images, place context, climate, typology, materials, carbon signals, accessibility, and related books.

1 selected · 1 other item held elsewhere in the compare set

1 selected · 1 other item held elsewhere in the compare set

The selected works stay in sync by slot, while the pins map where they sit inside the mixed set.

No plan or image is recorded for this slot yet.
Salerno Harbor station

2016 · Salerno, Salerno, Italy

Salerno, Salerno, Italy

19°C · 13.5h daylight · 8 km/h wind

Site spread

Pins are normalized from the recorded work coordinates so you can read the set spatially.

Salerno Harbor station

Salerno, Salerno, Italy · Exact work coordinates

OpenStreetMap

Salerno Harbor station

Image 1

Salerno, Salerno, Italy

Climate: 19°C · 13.5h daylight · 8 km/h wind

Mapping: Exact work coordinates

Field
Salerno Harbor station

2016 · Salerno, Salerno, Italy

Josef GocarJosef Gocar

1905-1945 · Prague, Prague, Czech Republic

Typeworkbureau
Year / years20161905-1945
PlaceSalerno, Salerno, ItalyPrague, Prague, Czech Republic
Place contextSalerno, Salerno, ItalyRepresentative site: Prague, Prague, Czech Republic
Climate19°C · 13.5h daylight · 8 km/h wind11°C · 14.1h daylight · 16 km/h wind · via House of the Black Madonna
FocusArchitecture2 works in corpus
Architects
  • Zaha Hadid
  • Josef Gocar
Linked context

Bureaus

  • Zaha Hadid Architects

Notable works

  • House of the Black Madonna
  • St. Wenceslas Church (Vršovice)
Typologies
  • building
  • mixed use
  • museum
  • cafe
  • commercial building
  • church
  • sacred space
Materials

Not recorded yet.

  • concrete
  • glass
  • stone
Carbon signals

building gives us a typology starting point even though the work does not have a recorded material palette yet.

No dominant drivers yet.

Concrete, Glass, and Stone look like the main embodied-carbon drivers in the current palette.

  • Concrete
  • Glass
  • Stone
Lower-carbon levers

No levers surfaced yet.

  • Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
  • Compare system-level facade options, reduce overspecification, and pair glass choices with structural reductions.
  • Check source geography, fabrication intensity, and whether stone is structural, cladding, or finish-only.
AccessibilityAccess not recorded2 of 2 recorded works are publicly accessible
Related books

No linked books yet.

No linked books yet.