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Compare works, bureaus, or a mixed set

Read a small selection side by side through images, place context, climate, typology, materials, carbon signals, accessibility, and related books.

1 selected · 1 other item held elsewhere in the compare set

1 selected · 1 other item held elsewhere in the compare set

The selected works stay in sync by slot, while the pins map where they sit inside the mixed set.

L'Auditori in Fort Pienc, Spain
L'Auditori

1999 · Fort Pienc, Fort Pienc, Spain

L'Auditori image

Concert hall in Barcelona, Spain

Site spread

Pins are normalized from the recorded work coordinates so you can read the set spatially.

L'Auditori

Fort Pienc, Fort Pienc, Spain · Exact work coordinates

OpenStreetMap
Field
L'AuditoriL'Auditori

1999 · Fort Pienc, Fort Pienc, Spain

Josef GocarJosef Gocar

1905-1945 · Prague, Prague, Czech Republic

Typeworkbureau
Year / years19991905-1945
PlaceFort Pienc, Fort Pienc, SpainPrague, Prague, Czech Republic
Place contextFort Pienc, Fort Pienc, SpainRepresentative site: Prague, Prague, Czech Republic
Climate17°C · 13.6h daylight · 3 km/h wind10°C · 14.2h daylight · 3 km/h wind · via House of the Black Madonna
FocusPerformance venue2 works in corpus
Architects
  • Rafael Moneo
  • Josef Gocar
Linked context

Bureaus

  • Rafael Moneo Arquitecto

Notable works

  • House of the Black Madonna
  • St. Wenceslas Church (Vršovice)
Typologies
  • performance venue
  • mixed use
  • museum
  • cafe
  • commercial building
  • church
  • sacred space
Materials

Not recorded yet.

  • concrete
  • glass
  • stone
Carbon signals

performance venue gives us a typology starting point even though the work does not have a recorded material palette yet.

No dominant drivers yet.

Concrete, Glass, and Stone look like the main embodied-carbon drivers in the current palette.

  • Concrete
  • Glass
  • Stone
Lower-carbon levers

No levers surfaced yet.

  • Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
  • Compare system-level facade options, reduce overspecification, and pair glass choices with structural reductions.
  • Check source geography, fabrication intensity, and whether stone is structural, cladding, or finish-only.
AccessibilityPublicly accessible2 of 2 recorded works are publicly accessible
Related books

No linked books yet.

No linked books yet.