| Type | work | bureau |
|---|
| Year / years | 1987 | 1905-1945 |
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| Place | Paris, Ile-de-France, France | Prague, Prague, Czech Republic |
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| Place context | Paris, Ile-de-France, France | Representative site: Prague, Prague, Czech Republic |
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| Climate | 7°C · 14.1h daylight · 9 km/h wind | 6°C · 14.2h daylight · 7 km/h wind · via House of the Black Madonna |
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| Focus | Cultural institute | 2 works in corpus |
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| Architects | | |
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| Linked context | Bureaus | Notable works - House of the Black Madonna
- St. Wenceslas Church (Vršovice)
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| Typologies | - cultural center
- institutional building
- museum
| - mixed use
- museum
- cafe
- commercial building
- church
- sacred space
|
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| Materials | | |
|---|
| Carbon signals | Aluminum, Steel, and Glass look like the main embodied-carbon drivers in the current palette. | Concrete, Glass, and Stone look like the main embodied-carbon drivers in the current palette. |
|---|
| Lower-carbon levers | - Focus on recycled content, lighter assemblies, and careful facade-specification choices.
- Prioritize recycled content, efficient sections, and procurement-specific EPD comparisons.
- Compare system-level facade options, reduce overspecification, and pair glass choices with structural reductions.
| - Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
- Compare system-level facade options, reduce overspecification, and pair glass choices with structural reductions.
- Check source geography, fabrication intensity, and whether stone is structural, cladding, or finish-only.
|
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| Accessibility | Publicly accessible | 2 of 2 recorded works are publicly accessible |
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| Related books | No linked books yet. | No linked books yet. |
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