| Type | work | bureau |
|---|
| Year / years | 1911 | 1896 |
|---|
| Place | Brussels, Brussels-Capital Region, Belgium | Porto, Porto District, Portugal |
|---|
| Place context | Brussels, Brussels-Capital Region, Belgium | Representative site: Lordelo do Ouro e Massarelos, Lordelo do Ouro e Massarelos, Portugal |
|---|
| Climate | 12°C · 14.2h daylight · 16 km/h wind | 14°C · 13.6h daylight · 8 km/h wind · via Serralves |
|---|
| Focus | House | 4 works in corpus |
|---|
| Architects | No architects linked yet. | |
|---|
| Linked context | Bureaus No linked context yet. | Notable works - Serralves
- Casa Correia de Matos
- São Bento railway station
- São João National Theatre
|
|---|
| Typologies | | - museum
- landscape
- house
- building
- performance venue
|
|---|
| Materials | | Not recorded yet. |
|---|
| Carbon signals | Brick, Bronze, and Stone look like the main embodied-carbon drivers in the current palette. | museum, landscape, house, and building gives us a typology starting point even though the work does not have a recorded material palette yet. No dominant drivers yet. |
|---|
| Lower-carbon levers | - Review masonry extent, reuse opportunities, and alternate assemblies where the design language allows it.
- Use classification and product-level EPD research to place this material more precisely.
- Check source geography, fabrication intensity, and whether stone is structural, cladding, or finish-only.
| No levers surfaced yet. |
|---|
| Accessibility | Publicly accessible | 2 of 2 recorded works are publicly accessible |
|---|
| Related books | No linked books yet. | No linked books yet. |
|---|