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Compare

Compare works, bureaus, or a mixed set

Read a small selection side by side through images, place context, climate, typology, materials, carbon signals, accessibility, and related books.

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Projects

1 selected · 1 other item held elsewhere in the compare set

Bureaus

1 selected · 1 other item held elsewhere in the compare set

Visual compare

The selected works stay in sync by slot, while the pins map where they sit inside the mixed set.

No plan or image is recorded for this slot yet.

Image 1

Oslo Opera House

2008 · Oslo, Oslo, Norway

Oslo, Oslo, Norway

7°C · 15.1h daylight · 4 km/h wind

Map pins

Site spread

Pins are normalized from the recorded work coordinates so you can read the set spatially.

Oslo Opera House

Oslo, Oslo, Norway · Exact work coordinates

OpenStreetMap

Focused slot

Oslo Opera House

Image 1

Oslo, Oslo, Norway

Climate: 7°C · 15.1h daylight · 4 km/h wind

Mapping: Exact work coordinates

View workMap pin

Comparison

Field
Oslo Opera House

2008 · Oslo, Oslo, Norway

José Marques da SilvaJosé Marques da Silva

1896 · Porto, Porto District, Portugal

Typeworkbureau
Year / years20081896
PlaceOslo, Oslo, NorwayPorto, Porto District, Portugal
Place contextOslo, Oslo, NorwayRepresentative site: Lordelo do Ouro e Massarelos, Lordelo do Ouro e Massarelos, Portugal
Climate7°C · 15.1h daylight · 4 km/h wind20°C · 13.6h daylight · 20 km/h wind · via Serralves
FocusOpera house4 works in corpus
Architects
  • Kjetil Trædal Thorsen
  • Jose Marques da Silva
Linked context

Bureaus

  • Snøhetta

Notable works

  • Serralves
  • Casa Correia de Matos
  • São Bento railway station
  • São João National Theatre
Typologies
  • performance venue
  • civic building
  • opera house
  • museum
  • landscape
  • house
  • building
  • performance venue
Materials
  • marble
  • glass
  • concrete

Not recorded yet.

Carbon signals

Concrete, Glass, and Stone look like the main embodied-carbon drivers in the current palette.

  • Concrete
  • Glass
  • Stone

museum, landscape, house, and building gives us a typology starting point even though the work does not have a recorded material palette yet.

No dominant drivers yet.

Lower-carbon levers
  • Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
  • Compare system-level facade options, reduce overspecification, and pair glass choices with structural reductions.
  • Check source geography, fabrication intensity, and whether stone is structural, cladding, or finish-only.

No levers surfaced yet.

AccessibilityPublicly accessible2 of 2 recorded works are publicly accessible
Related books

No linked books yet.

No linked books yet.