| Type | work | bureau |
|---|
| Year / years | 2012 | 1896 |
|---|
| Place | Cuernavaca, Morelos, Mexico | Porto, Porto District, Portugal |
|---|
| Place context | Cuernavaca, Morelos, Mexico | Representative site: Lordelo do Ouro e Massarelos, Lordelo do Ouro e Massarelos, Portugal |
|---|
| Climate | 22°C · 12.7h daylight · 5 km/h wind | 10°C · 13.5h daylight · 3 km/h wind · via Serralves |
|---|
| Focus | Art space | 4 works in corpus |
|---|
| Architects | | |
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| Linked context | Bureaus | Notable works - Serralves
- Casa Correia de Matos
- São Bento railway station
- São João National Theatre
|
|---|
| Typologies | - museum
- art center
- adaptive reuse
| - museum
- landscape
- house
- building
- performance venue
|
|---|
| Materials | - concrete
- masonry
- painted surfaces
| Not recorded yet. |
|---|
| Carbon signals | Concrete, Brick, and Painted Surfaces look like the main embodied-carbon drivers in the current palette. - Concrete
- Brick
- Painted Surfaces
| museum, landscape, house, and building gives us a typology starting point even though the work does not have a recorded material palette yet. No dominant drivers yet. |
|---|
| Lower-carbon levers | - Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
- Review masonry extent, reuse opportunities, and alternate assemblies where the design language allows it.
- Use classification and product-level EPD research to place this material more precisely.
| No levers surfaced yet. |
|---|
| Accessibility | Publicly accessible | 2 of 2 recorded works are publicly accessible |
|---|
| Related books | No linked books yet. | No linked books yet. |
|---|