| Type | work | bureau |
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| Year / years | 2017 | 1950-1992 |
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| Place | Hamburg, Hamburg, Germany | Wellington, Wellington, New Zealand |
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| Place context | Hamburg, Hamburg, Germany | Representative site: Wellington, Wellington, New Zealand |
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| Climate | 6°C · 14.5h daylight · 5 km/h wind | 11°C · 10.7h daylight · 60 km/h wind · via Futuna Chapel |
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| Focus | Concert hall | 2 works in corpus |
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| Architects | - Jacques Herzog
- Pierre de Meuron
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| Linked context | Bureaus | Notable works - Futuna Chapel
- St Canice's Church, Westport
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| Typologies | - concert hall
- adaptive reuse
- cultural building
| - chapel
- religious building
- modernism
- church
- sacred space
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| Materials | | |
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| Carbon signals | Steel, Brick, and Glass look like the main embodied-carbon drivers in the current palette. | Concrete look like the main embodied-carbon drivers in the current palette. |
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| Lower-carbon levers | - Prioritize recycled content, efficient sections, and procurement-specific EPD comparisons.
- Review masonry extent, reuse opportunities, and alternate assemblies where the design language allows it.
- Compare system-level facade options, reduce overspecification, and pair glass choices with structural reductions.
| - Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
- Track sourcing, certification, and assembly logic rather than assuming timber is automatically low impact.
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| Accessibility | Publicly accessible | 2 of 2 recorded works are publicly accessible |
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| Related books | No linked books yet. | No linked books yet. |
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