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Compare works, bureaus, or a mixed set

Read a small selection side by side through images, place context, climate, typology, materials, carbon signals, accessibility, and related books.

1 selected · 1 other item held elsewhere in the compare set

1 selected · 1 other item held elsewhere in the compare set

The selected works stay in sync by slot, while the pins map where they sit inside the mixed set.

Asahikawa Station in Asahikawa, Japan
Asahikawa Station

1898 · Asahikawa, Asahikawa, Japan

Asahikawa Station image

Railway station in Asahikawa, Hokkaido, Japan

Site spread

Pins are normalized from the recorded work coordinates so you can read the set spatially.

Asahikawa Station

Asahikawa, Asahikawa, Japan · Exact work coordinates

OpenStreetMap
Field
Asahikawa StationAsahikawa Station

1898 · Asahikawa, Asahikawa, Japan

John ScottJohn Scott

1950-1992 · Wellington, Wellington, New Zealand

Typeworkbureau
Year / years18981950-1992
PlaceAsahikawa, Asahikawa, JapanWellington, Wellington, New Zealand
Place contextAsahikawa, Asahikawa, JapanRepresentative site: Wellington, Wellington, New Zealand
Climate10°C · 13.7h daylight · 10 km/h wind11°C · 10.8h daylight · 67 km/h wind · via Futuna Chapel
FocusPerformance venue2 works in corpus
Architects
  • Hiroshi Naito
  • John Scott
Linked context

Bureaus

  • Hiroshi Naito Architect & Associates

Notable works

  • Futuna Chapel
  • St Canice's Church, Westport
Typologies
  • performance venue
  • chapel
  • religious building
  • modernism
  • church
  • sacred space
Materials

Not recorded yet.

  • concrete
  • timber
Carbon signals

performance venue gives us a typology starting point even though the work does not have a recorded material palette yet.

No dominant drivers yet.

Concrete look like the main embodied-carbon drivers in the current palette.

  • Concrete
Lower-carbon levers

No levers surfaced yet.

  • Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
  • Track sourcing, certification, and assembly logic rather than assuming timber is automatically low impact.
AccessibilityPublicly accessible2 of 2 recorded works are publicly accessible
Related books

No linked books yet.

No linked books yet.