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Compare

Compare works, bureaus, or a mixed set

Read a small selection side by side through images, place context, climate, typology, materials, carbon signals, accessibility, and related books.

1 selected · 1 other item held elsewhere in the compare set

1 selected · 1 other item held elsewhere in the compare set

The selected works stay in sync by slot, while the pins map where they sit inside the mixed set.

Walt Disney World Dolphin in Florida, United States
Walt Disney World Dolphin

1990 · Florida, Florida, United States

Walt Disney World Dolphin image

Hotel at Walt Disney World

Site spread

Pins are normalized from the recorded work coordinates so you can read the set spatially.

Walt Disney World Dolphin

Florida, Florida, United States · Exact work coordinates

OpenStreetMap
Field
Walt Disney World DolphinWalt Disney World Dolphin

1990 · Florida, Florida, United States

Jean-Francois ZevacoJean-Francois Zevaco

1945-2003 · Casablanca, Casablanca-Settat, Morocco

Typeworkbureau
Year / years19901945-2003
PlaceFlorida, Florida, United StatesCasablanca, Casablanca-Settat, Morocco
Place contextFlorida, Florida, United StatesRepresentative site: Casablanca, Casablanca, Morocco
Climate27°C · 13.0h daylight · 9 km/h wind17°C · 13.2h daylight · 4 km/h wind · via Vincent Timsit Workshop
FocusPerformance venue3 works in corpus
Architects
  • Michael Graves
  • Jean-Francois Zevaco
Linked context

Bureaus

  • Michael Graves Architecture & Design

Notable works

  • Vincent Timsit Workshop
  • Sidi Harazem Bath Complex
  • Assunna Mosque
Typologies
  • performance venue
  • hospitality
  • office
  • spa
  • leisure
  • landscape
  • civic complex
  • church
  • sacred space
  • mosque
Materials
  • timber
  • concrete
Carbon signals

The recorded material palette leans lower-carbon on paper, but procurement and quantity still matter.

No dominant drivers yet.

Concrete look like the main embodied-carbon drivers in the current palette.

  • Concrete
Lower-carbon levers
  • Track sourcing, certification, and assembly logic rather than assuming timber is automatically low impact.
  • Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
AccessibilityPublicly accessible2 of 2 recorded works are publicly accessible
Related books

No linked books yet.

No linked books yet.