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Compare works, bureaus, or a mixed set

Read a small selection side by side through images, place context, climate, typology, materials, carbon signals, accessibility, and related books.

1 selected · 1 other item held elsewhere in the compare set

1 selected · 1 other item held elsewhere in the compare set

The selected works stay in sync by slot, while the pins map where they sit inside the mixed set.

Ten Peachtree Place in Midtown Atlanta, United States
Ten Peachtree Place

Unknown · Midtown Atlanta, Midtown Atlanta, United States

Ten Peachtree Place image

High rise office building in Atlanta, Georgia

Site spread

Pins are normalized from the recorded work coordinates so you can read the set spatially.

Ten Peachtree Place

Midtown Atlanta, Midtown Atlanta, United States · Exact work coordinates

OpenStreetMap
Field
Ten Peachtree PlaceTen Peachtree Place

Unknown · Midtown Atlanta, Midtown Atlanta, United States

Jean-Francois ZevacoJean-Francois Zevaco

1945-2003 · Casablanca, Casablanca-Settat, Morocco

Typeworkbureau
Year / yearsUnknown1945-2003
PlaceMidtown Atlanta, Midtown Atlanta, United StatesCasablanca, Casablanca-Settat, Morocco
Place contextMidtown Atlanta, Midtown Atlanta, United StatesRepresentative site: Casablanca, Casablanca, Morocco
Climate12°C · 13.2h daylight · 9 km/h wind17°C · 13.2h daylight · 4 km/h wind · via Vincent Timsit Workshop
FocusOffice building3 works in corpus
Architects
  • Michael Graves
  • Jean-Francois Zevaco
Linked context

Bureaus

  • Michael Graves Architecture & Design

Notable works

  • Vincent Timsit Workshop
  • Sidi Harazem Bath Complex
  • Assunna Mosque
Typologies
  • office
  • office
  • spa
  • leisure
  • landscape
  • civic complex
  • church
  • sacred space
  • mosque
Materials
  • stone
  • concrete
Carbon signals

Stone look like the main embodied-carbon drivers in the current palette.

  • Stone

Concrete look like the main embodied-carbon drivers in the current palette.

  • Concrete
Lower-carbon levers
  • Check source geography, fabrication intensity, and whether stone is structural, cladding, or finish-only.
  • Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
AccessibilityAccess not recorded2 of 2 recorded works are publicly accessible
Related books

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