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Compare works, bureaus, or a mixed set

Read a small selection side by side through images, place context, climate, typology, materials, carbon signals, accessibility, and related books.

1 selected · 1 other item held elsewhere in the compare set

1 selected · 1 other item held elsewhere in the compare set

The selected works stay in sync by slot, while the pins map where they sit inside the mixed set.

Museum of Islamic Art in Doha, Qatar
Museum of Islamic Art, Doha

2008 · Doha, Ad-Dawhah, Qatar

Museum of Islamic Art, Doha image

Seed wave 64 image for the Museum of Islamic Art in Doha.

Site spread

Pins are normalized from the recorded work coordinates so you can read the set spatially.

Museum of Islamic Art, Doha

Doha, Ad-Dawhah, Qatar · Exact work coordinates

OpenStreetMap
Field
Museum of Islamic Art, DohaMuseum of Islamic Art, Doha

2008 · Doha, Ad-Dawhah, Qatar

Jean-Francois ZevacoJean-Francois Zevaco

1945-2003 · Casablanca, Casablanca-Settat, Morocco

Typeworkbureau
Year / years20081945-2003
PlaceDoha, Ad-Dawhah, QatarCasablanca, Casablanca-Settat, Morocco
Place contextDoha, Ad-Dawhah, QatarRepresentative site: Casablanca, Casablanca, Morocco
Climate26°C · 12.9h daylight · 6 km/h wind19°C · 13.2h daylight · 3 km/h wind · via Vincent Timsit Workshop
FocusMuseum3 works in corpus
Architects
  • I. M. Pei
  • Jean-Francois Zevaco
Linked context

Bureaus

  • I. M. Pei & Partners

Notable works

  • Vincent Timsit Workshop
  • Sidi Harazem Bath Complex
  • Assunna Mosque
Typologies
  • museum
  • cultural building
  • waterfront architecture
  • office
  • spa
  • leisure
  • landscape
  • civic complex
  • church
  • sacred space
  • mosque
Materials
  • limestone
  • glass
  • concrete
Carbon signals

Glass and Stone look like the main embodied-carbon drivers in the current palette.

  • Glass
  • Stone

Concrete look like the main embodied-carbon drivers in the current palette.

  • Concrete
Lower-carbon levers
  • Compare system-level facade options, reduce overspecification, and pair glass choices with structural reductions.
  • Check source geography, fabrication intensity, and whether stone is structural, cladding, or finish-only.
  • Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
AccessibilityPublicly accessible2 of 2 recorded works are publicly accessible
Related books

No linked books yet.

No linked books yet.