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Compare works, bureaus, or a mixed set

Read a small selection side by side through images, place context, climate, typology, materials, carbon signals, accessibility, and related books.

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Projects

1 selected · 1 other item held elsewhere in the compare set

Bureaus

1 selected · 1 other item held elsewhere in the compare set

Visual compare

The selected works stay in sync by slot, while the pins map where they sit inside the mixed set.

Guggenheim Museum Bilbao in Bilbao, Spain

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Guggenheim Museum Bilbao

1997 · Bilbao, Basque Country, Spain

Guggenheim Museum Bilbao image

Modern and contemporary art museum in Bilbao, Spain

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Guggenheim Museum Bilbao

Bilbao, Basque Country, Spain · City-level coordinates only

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Guggenheim Museum Bilbao

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Modern and contemporary art museum in Bilbao, Spain

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Comparison

Field
Guggenheim Museum BilbaoGuggenheim Museum Bilbao

1997 · Bilbao, Basque Country, Spain

Jean-Francois ZevacoJean-Francois Zevaco

1945-2003 · Casablanca, Casablanca-Settat, Morocco

Typeworkbureau
Year / years19971945-2003
PlaceBilbao, Basque Country, SpainCasablanca, Casablanca-Settat, Morocco
Place contextBilbao, Basque Country, SpainRepresentative site: Casablanca, Casablanca, Morocco
Climate15°C · 13.6h daylight · 2 km/h wind18°C · 13.2h daylight · 2 km/h wind · via Vincent Timsit Workshop
FocusMuseum3 works in corpus
Architects
  • Frank Gehry
  • Jean-Francois Zevaco
Linked context

Bureaus

  • Gehry Partners

Notable works

  • Vincent Timsit Workshop
  • Sidi Harazem Bath Complex
  • Assunna Mosque
Typologies
  • museum
  • art museum
  • landmark
  • office
  • spa
  • leisure
  • landscape
  • civic complex
  • church
  • sacred space
  • mosque
Materials
  • titanium
  • glass
  • limestone
  • concrete
Carbon signals

Glass, Stone, and Titanium look like the main embodied-carbon drivers in the current palette.

  • Glass
  • Stone
  • Titanium

Concrete look like the main embodied-carbon drivers in the current palette.

  • Concrete
Lower-carbon levers
  • Compare system-level facade options, reduce overspecification, and pair glass choices with structural reductions.
  • Check source geography, fabrication intensity, and whether stone is structural, cladding, or finish-only.
  • Use classification and product-level EPD research to place this material more precisely.
  • Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
AccessibilityPublicly accessible2 of 2 recorded works are publicly accessible
Related books

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