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Compare works, bureaus, or a mixed set

Read a small selection side by side through images, place context, climate, typology, materials, carbon signals, accessibility, and related books.

1 selected · 1 other item held elsewhere in the compare set

1 selected · 1 other item held elsewhere in the compare set

The selected works stay in sync by slot, while the pins map where they sit inside the mixed set.

No plan or image is recorded for this slot yet.
Guangzhou Opera House

2010 · Guangzhou, Guangdong, China

Guangzhou, Guangdong, China

Climate unavailable

Site spread

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Guangzhou Opera House

Image 1

Guangzhou, Guangdong, China

Climate: Climate unavailable

Mapping: Coordinates not recorded

Field
Guangzhou Opera HouseGuangzhou Opera House

2010 · Guangzhou, Guangdong, China

Jean-Francois ZevacoJean-Francois Zevaco

1945-2003 · Casablanca, Casablanca-Settat, Morocco

Typeworkbureau
Year / years20101945-2003
PlaceGuangzhou, Guangdong, ChinaCasablanca, Casablanca-Settat, Morocco
Place contextGuangzhou, Guangdong, ChinaRepresentative site: Casablanca, Casablanca, Morocco
ClimateClimate unavailable17°C · 13.2h daylight · 4 km/h wind · via Vincent Timsit Workshop
FocusOpera house3 works in corpus
Architects

No architects linked yet.

  • Jean-Francois Zevaco
Linked context

Bureaus

No linked context yet.

Notable works

  • Vincent Timsit Workshop
  • Sidi Harazem Bath Complex
  • Assunna Mosque
Typologies
  • opera house
  • cultural building
  • performing arts
  • office
  • spa
  • leisure
  • landscape
  • civic complex
  • church
  • sacred space
  • mosque
Materials
  • granite
  • glass
  • steel
  • concrete
Carbon signals

Steel, Glass, and Stone look like the main embodied-carbon drivers in the current palette.

  • Steel
  • Glass
  • Stone

Concrete look like the main embodied-carbon drivers in the current palette.

  • Concrete
Lower-carbon levers
  • Prioritize recycled content, efficient sections, and procurement-specific EPD comparisons.
  • Compare system-level facade options, reduce overspecification, and pair glass choices with structural reductions.
  • Check source geography, fabrication intensity, and whether stone is structural, cladding, or finish-only.
  • Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
AccessibilityPublicly accessible2 of 2 recorded works are publicly accessible
Related books

No linked books yet.

No linked books yet.