| Type | work | bureau |
|---|
| Year / years | 2005 | 1945-2003 |
|---|
| Place | Porto, Porto, Portugal | Casablanca, Casablanca-Settat, Morocco |
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| Place context | Porto, Porto, Portugal | Representative site: Casablanca, Casablanca, Morocco |
|---|
| Climate | 11°C · 13.5h daylight · 2 km/h wind | 17°C · 13.2h daylight · 4 km/h wind · via Vincent Timsit Workshop |
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| Focus | Concert hall | 3 works in corpus |
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| Architects | | |
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| Linked context | Bureaus | Notable works - Vincent Timsit Workshop
- Sidi Harazem Bath Complex
- Assunna Mosque
|
|---|
| Typologies | - concert hall
- cultural building
- music venue
| - office
- spa
- leisure
- landscape
- civic complex
- church
- sacred space
- mosque
|
|---|
| Materials | | |
|---|
| Carbon signals | Concrete, Glass, and Stone look like the main embodied-carbon drivers in the current palette. | Concrete look like the main embodied-carbon drivers in the current palette. |
|---|
| Lower-carbon levers | - Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
- Compare system-level facade options, reduce overspecification, and pair glass choices with structural reductions.
- Check source geography, fabrication intensity, and whether stone is structural, cladding, or finish-only.
| - Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
|
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| Accessibility | Publicly accessible | 2 of 2 recorded works are publicly accessible |
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| Related books | No linked books yet. | No linked books yet. |
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