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Compare

Compare works, bureaus, or a mixed set

Read a small selection side by side through images, place context, climate, typology, materials, carbon signals, accessibility, and related books.

1 selected · 1 other item held elsewhere in the compare set

1 selected · 1 other item held elsewhere in the compare set

The selected works stay in sync by slot, while the pins map where they sit inside the mixed set.

Walt Disney World Dolphin in Florida, United States
Walt Disney World Dolphin

1990 · Florida, Florida, United States

Walt Disney World Dolphin image

Hotel at Walt Disney World

Site spread

Pins are normalized from the recorded work coordinates so you can read the set spatially.

Walt Disney World Dolphin

Florida, Florida, United States · Exact work coordinates

OpenStreetMap
Field
Walt Disney World DolphinWalt Disney World Dolphin

1990 · Florida, Florida, United States

Itsuko Hasegawa AtelierItsuko Hasegawa Atelier

1979 · Tokyo, Tokyo, Japan

Typeworkbureau
Year / years19901979
PlaceFlorida, Florida, United StatesTokyo, Tokyo, Japan
Place contextFlorida, Florida, United StatesRepresentative site: Toyama Prefecture, Toyama Prefecture, Japan
Climate27°C · 13.0h daylight · 24 km/h wind10°C · 13.4h daylight · 9 km/h wind · via Himi Seaside Botanical Garden
FocusPerformance venue2 works in corpus
Architects
  • Michael Graves
  • Itsuko Hasegawa
Linked context

Bureaus

  • Michael Graves Architecture & Design

Notable works

  • Himi Seaside Botanical Garden
  • Niigata-City Performing Arts Center (Ryutopia)
Typologies
  • performance venue
  • hospitality
  • landscape
  • building
Materials
  • timber

Not recorded yet.

Carbon signals

The recorded material palette leans lower-carbon on paper, but procurement and quantity still matter.

No dominant drivers yet.

landscape and building gives us a typology starting point even though the work does not have a recorded material palette yet.

No dominant drivers yet.

Lower-carbon levers
  • Track sourcing, certification, and assembly logic rather than assuming timber is automatically low impact.

No levers surfaced yet.

AccessibilityPublicly accessible1 of 1 recorded works are publicly accessible
Related books

No linked books yet.

No linked books yet.