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Compare works, bureaus, or a mixed set

Read a small selection side by side through images, place context, climate, typology, materials, carbon signals, accessibility, and related books.

Projects

1 selected · 1 other item held elsewhere in the compare set

Bureaus

1 selected · 1 other item held elsewhere in the compare set

Visual compare

The selected works stay in sync by slot, while the pins map where they sit inside the mixed set.

Hero image

1930 · Montevideo, Montevideo Department, Uruguay

Vilamajo House Museum image

Seed wave 45 image for the Vilamajo House Museum.

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Site spread

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Vilamajo House Museum

Montevideo, Montevideo Department, Uruguay · Exact work coordinates

Focused slot

Hero image

Seed wave 45 image for the Vilamajo House Museum.

Credit:

Rights: Unknown · unknown

Comparison

Field	Vilamajo House Museum 1930 · Montevideo, Montevideo Department, Uruguay	Itsuko Hasegawa Atelier 1979 · Tokyo, Tokyo, Japan
Type	work	bureau
Year / years	1930	1979
Place	Montevideo, Montevideo Department, Uruguay	Tokyo, Tokyo, Japan
Place context	Montevideo, Montevideo Department, Uruguay	Representative site: Toyama Prefecture, Toyama Prefecture, Japan
Climate	19°C · 11.0h daylight · 12 km/h wind	17°C · 13.3h daylight · 4 km/h wind · via Himi Seaside Botanical Garden
Focus	House museum	2 works in corpus
Architects	Julio Vilamajo	Itsuko Hasegawa
Linked context	Bureaus Julio Vilamajo	Notable works Himi Seaside Botanical Garden Niigata-City Performing Arts Center (Ryutopia)
Typologies	house museum residence	landscape building
Materials	masonry stucco timber	Not recorded yet.
Carbon signals	Brick and Stucco look like the main embodied-carbon drivers in the current palette. Brick Stucco	landscape and building gives us a typology starting point even though the work does not have a recorded material palette yet. No dominant drivers yet.
Lower-carbon levers	Review masonry extent, reuse opportunities, and alternate assemblies where the design language allows it. Use classification and product-level EPD research to place this material more precisely. Track sourcing, certification, and assembly logic rather than assuming timber is automatically low impact.	No levers surfaced yet.
Accessibility	Publicly accessible	1 of 1 recorded works are publicly accessible
Related books	No linked books yet.	No linked books yet.