| Type | work | bureau |
|---|
| Year / years | 2002 | 1979 |
|---|
| Place | Sao Paulo, Sao Paulo, Brazil | Tokyo, Tokyo, Japan |
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| Place context | Sao Paulo, Sao Paulo, Brazil | Representative site: Toyama Prefecture, Toyama Prefecture, Japan |
|---|
| Climate | 25°C · 11.4h daylight · 12 km/h wind | 16°C · 13.4h daylight · 11 km/h wind · via Himi Seaside Botanical Garden |
|---|
| Focus | Public square canopy and urban intervention | 2 works in corpus |
|---|
| Architects | | |
|---|
| Linked context | Bureaus - Paulo Mendes da Rocha Arquitetos
| Notable works - Himi Seaside Botanical Garden
- Niigata-City Performing Arts Center (Ryutopia)
|
|---|
| Typologies | - public space
- urban intervention
- civic infrastructure
| |
|---|
| Materials | | Not recorded yet. |
|---|
| Carbon signals | Concrete and Steel look like the main embodied-carbon drivers in the current palette. | landscape and building gives us a typology starting point even though the work does not have a recorded material palette yet. No dominant drivers yet. |
|---|
| Lower-carbon levers | - Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
- Prioritize recycled content, efficient sections, and procurement-specific EPD comparisons.
| No levers surfaced yet. |
|---|
| Accessibility | Publicly accessible | 1 of 1 recorded works are publicly accessible |
|---|
| Related books | No linked books yet. | No linked books yet. |
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