| Type | work | bureau |
|---|
| Year / years | 1962 | 1979 |
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| Place | Baltimore, Baltimore, United States | Tokyo, Tokyo, Japan |
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| Place context | Baltimore, Baltimore, United States | Representative site: Toyama Prefecture, Toyama Prefecture, Japan |
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| Climate | 11°C · 13.5h daylight · 21 km/h wind | 17°C · 13.4h daylight · 11 km/h wind · via Himi Seaside Botanical Garden |
|---|
| Focus | Office building | 2 works in corpus |
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| Architects | | |
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| Linked context | Bureaus | Notable works - Himi Seaside Botanical Garden
- Niigata-City Performing Arts Center (Ryutopia)
|
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| Typologies | | |
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| Materials | | Not recorded yet. |
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| Carbon signals | Concrete and Glass look like the main embodied-carbon drivers in the current palette. | landscape and building gives us a typology starting point even though the work does not have a recorded material palette yet. No dominant drivers yet. |
|---|
| Lower-carbon levers | - Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
- Compare system-level facade options, reduce overspecification, and pair glass choices with structural reductions.
| No levers surfaced yet. |
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| Accessibility | Access not recorded | 1 of 1 recorded works are publicly accessible |
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| Related books | No linked books yet. | No linked books yet. |
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