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Compare works, bureaus, or a mixed set

Read a small selection side by side through images, place context, climate, typology, materials, carbon signals, accessibility, and related books.

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Projects

1 selected · 1 other item held elsewhere in the compare set

Bureaus

1 selected · 1 other item held elsewhere in the compare set

Visual compare

The selected works stay in sync by slot, while the pins map where they sit inside the mixed set.

Vilamajo House Museum in Montevideo, Uruguay

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Vilamajo House Museum

1930 · Montevideo, Montevideo Department, Uruguay

Vilamajo House Museum image

Seed wave 45 image for the Vilamajo House Museum.

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Vilamajo House Museum

Montevideo, Montevideo Department, Uruguay · Exact work coordinates

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Comparison

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Vilamajo House MuseumVilamajo House Museum

1930 · Montevideo, Montevideo Department, Uruguay

Imre SteindlImre Steindl

1860-1902 · Budapest, Budapest, Hungary

Typeworkbureau
Year / years19301860-1902
PlaceMontevideo, Montevideo Department, UruguayBudapest, Budapest, Hungary
Place contextDomingo Cullen, Punta Carretas, Montevideo, Montevideo, UruguayRepresentative site: Kossuth Lajos tér, Lipótváros, Budapest, Magyarország
Climate19°C · 10.9h daylight · 9 km/h wind20°C · 14.2h daylight · 7 km/h wind · via Hungarian Parliament Building
FocusHouse museum1 works in corpus
Architects
  • Julio Vilamajo
  • Imre Steindl
Linked context

Bureaus

  • Julio Vilamajo

Notable works

  • Hungarian Parliament Building
Typologies
  • house
  • museum
  • residence
  • parliament
  • civic building
  • government
Materials
  • masonry
  • stucco
  • timber
  • stone
  • brick
Carbon signals

Brick and Stucco look like the main embodied-carbon drivers in the current palette.

  • Brick
  • Stucco

Brick and Stone look like the main embodied-carbon drivers in the current palette.

  • Brick
  • Stone
Lower-carbon levers
  • Review masonry extent, reuse opportunities, and alternate assemblies where the design language allows it.
  • Use classification and product-level EPD research to place this material more precisely.
  • Track sourcing, certification, and assembly logic rather than assuming timber is automatically low impact.
  • Review masonry extent, reuse opportunities, and alternate assemblies where the design language allows it.
  • Check source geography, fabrication intensity, and whether stone is structural, cladding, or finish-only.
AccessibilityPublicly accessible1 of 1 recorded works are publicly accessible
Related books

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