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Compare works, bureaus, or a mixed set

Read a small selection side by side through images, place context, climate, typology, materials, carbon signals, accessibility, and related books.

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1 selected · 1 other item held elsewhere in the compare set

Bureaus

1 selected · 1 other item held elsewhere in the compare set

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Vilamajo House Museum in Montevideo, Uruguay

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Vilamajo House Museum

1930 · Montevideo, Montevideo Department, Uruguay

Vilamajo House Museum image

Seed wave 45 image for the Vilamajo House Museum.

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Vilamajo House Museum

Montevideo, Montevideo Department, Uruguay · Exact work coordinates

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Comparison

Field
Vilamajo House MuseumVilamajo House Museum

1930 · Montevideo, Montevideo Department, Uruguay

I. M. Pei & PartnersI. M. Pei & Partners

1955 · New York, New York, United States

Typeworkbureau
Year / years19301955
PlaceMontevideo, Montevideo Department, UruguayNew York, New York, United States
Place contextMontevideo, Montevideo Department, UruguayRepresentative site: 1st arrondissement of Paris, 1st arrondissement of Paris, France
Climate23°C · 11.0h daylight · 16 km/h wind14°C · 14.0h daylight · 14 km/h wind · via Louvre Palace
FocusHouse museum52 works in corpus
Architects
  • Julio Vilamajo
  • I. M. Pei
Linked context

Bureaus

  • Julio Vilamajo

Notable works

  • Louvre Palace
  • Louvre
  • Museum of Fine Arts, Boston
  • Syracuse University
Typologies
  • house
  • museum
  • residence
  • museum
  • church
  • sacred space
  • landscape
  • gallery
  • education
  • campus building
  • infrastructure
Materials
  • masonry
  • stucco
  • timber
  • concrete
  • earth
  • brick
  • stone
  • glass
  • limestone
Carbon signals

Brick and Stucco look like the main embodied-carbon drivers in the current palette.

  • Brick
  • Stucco

Concrete, Brick, and Earth look like the main embodied-carbon drivers in the current palette.

  • Concrete
  • Brick
  • Earth
Lower-carbon levers
  • Review masonry extent, reuse opportunities, and alternate assemblies where the design language allows it.
  • Use classification and product-level EPD research to place this material more precisely.
  • Track sourcing, certification, and assembly logic rather than assuming timber is automatically low impact.
  • Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
  • Review masonry extent, reuse opportunities, and alternate assemblies where the design language allows it.
  • Use classification and product-level EPD research to place this material more precisely.
  • Compare system-level facade options, reduce overspecification, and pair glass choices with structural reductions.
AccessibilityPublicly accessible28 of 28 recorded works are publicly accessible
Related books

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