| Type | work | bureau |
|---|
| Year / years | 1992 | 1955 |
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| Place | Naoshima, Naoshima, Japan | New York, New York, United States |
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| Place context | 北風戸積浦線, 直島町, 日本 | Representative site: Place du Musée du Louvre, Paris 1er Arrondissement, Paris, Île-de-France, France |
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| Climate | 15°C · 13.1h daylight · 18 km/h wind | 10°C · 13.7h daylight · 8 km/h wind · via Louvre Palace |
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| Focus | Museum | 20 works in corpus |
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| Architects | | |
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| Linked context | Bureaus - Tadao Ando Architect & Associates
| Notable works - Louvre Palace
- Louvre
- Everson Museum of Art
- Campus of the Massachusetts Institute of Technology
|
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| Typologies | - museum
- gallery
- house
- hospitality
| - museum
- church
- sacred space
- landscape
- campus building
- infrastructure
- performance venue
- tower
|
|---|
| Materials | Not recorded yet. | - concrete
- brick
- glass
- limestone
|
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| Carbon signals | museum, gallery, house, and hospitality gives us a typology starting point even though the work does not have a recorded material palette yet. No dominant drivers yet. | Concrete, Brick, and Glass look like the main embodied-carbon drivers in the current palette. |
|---|
| Lower-carbon levers | No levers surfaced yet. | - Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
- Review masonry extent, reuse opportunities, and alternate assemblies where the design language allows it.
- Compare system-level facade options, reduce overspecification, and pair glass choices with structural reductions.
- Check source geography, fabrication intensity, and whether stone is structural, cladding, or finish-only.
|
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| Accessibility | Publicly accessible | 13 of 13 recorded works are publicly accessible |
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| Related books | | No linked books yet. |
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