| Type | work | bureau |
|---|
| Year / years | 1879 | 1955 |
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| Place | Chicago, Chicago, United States | New York, New York, United States |
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| Place context | Chicago, Chicago, United States | Representative site: 1st arrondissement of Paris, 1st arrondissement of Paris, France |
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| Climate | 7°C · 13.5h daylight · 7 km/h wind | 10°C · 14.0h daylight · 11 km/h wind · via Louvre Palace |
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| Focus | Museum | 52 works in corpus |
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| Architects | | |
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| Linked context | Bureaus - Renzo Piano Building Workshop
| Notable works - Louvre Palace
- Louvre
- Museum of Fine Arts, Boston
- Syracuse University
|
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| Typologies | | - museum
- church
- sacred space
- landscape
- gallery
- education
- campus building
- infrastructure
|
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| Materials | | - concrete
- earth
- brick
- stone
- glass
- limestone
|
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| Carbon signals | Aluminum and Stone look like the main embodied-carbon drivers in the current palette. | Concrete, Brick, and Earth look like the main embodied-carbon drivers in the current palette. |
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| Lower-carbon levers | - Focus on recycled content, lighter assemblies, and careful facade-specification choices.
- Check source geography, fabrication intensity, and whether stone is structural, cladding, or finish-only.
- Track sourcing, certification, and assembly logic rather than assuming timber is automatically low impact.
| - Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
- Review masonry extent, reuse opportunities, and alternate assemblies where the design language allows it.
- Use classification and product-level EPD research to place this material more precisely.
- Compare system-level facade options, reduce overspecification, and pair glass choices with structural reductions.
|
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| Accessibility | Publicly accessible | 28 of 28 recorded works are publicly accessible |
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| Related books | No linked books yet. | No linked books yet. |
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