Compare

Compare works, bureaus, or a mixed set

Read a small selection side by side through images, place context, climate, typology, materials, carbon signals, accessibility, and related books.

Projects

1 selected · 1 other item held elsewhere in the compare set

Bureaus

1 selected · 1 other item held elsewhere in the compare set

Visual compare

The selected works stay in sync by slot, while the pins map where they sit inside the mixed set.

Hero image

1977 · Belgrade, Belgrade, Serbia

Western City Gate image

Seed wave 62 image for the Western City Gate.

Map pins

Site spread

Pins are normalized from the recorded work coordinates so you can read the set spatially.

Western City Gate

Belgrade, Belgrade, Serbia · Exact work coordinates

Focused slot

Hero image

Seed wave 62 image for the Western City Gate.

Credit: Wikimedia Commons

Rights: Unknown · licensed

Comparison

Field	Western City Gate 1977 · Belgrade, Belgrade, Serbia	Hiroshi Naito Architect & Associates 1981 · Tokyo, Tokyo, Japan
Type	work	bureau
Year / years	1977	1981
Place	Belgrade, Belgrade, Serbia	Tokyo, Tokyo, Japan
Place context	Belgrade, Belgrade, Serbia	Representative site: Asahikawa, Asahikawa, Japan
Climate	16°C · 13.7h daylight · 3 km/h wind	6°C · 13.7h daylight · 3 km/h wind · via Asahikawa Station
Focus	Mixed-use tower	7 works in corpus
Architects	Mihajlo Mitrovic	Hiroshi Naito
Linked context	Bureaus Mihajlo Mitrovic	Notable works Asahikawa Station Takayama Station Makino Botanical Garden Tenshin Memorial Museum of Art, Ibaraki
Typologies	tower brutalism mixed-use	performance venue landscape museum memorial
Materials	concrete	timber
Carbon signals	Concrete look like the main embodied-carbon drivers in the current palette. Concrete	The recorded material palette leans lower-carbon on paper, but procurement and quantity still matter. No dominant drivers yet.
Lower-carbon levers	Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.	Track sourcing, certification, and assembly logic rather than assuming timber is automatically low impact.
Accessibility	Publicly accessible	7 of 7 recorded works are publicly accessible
Related books	No linked books yet.	No linked books yet.