| Type | work | bureau |
|---|
| Year / years | 1921 | 1981 |
|---|
| Place | Ward No. 63, Kolkata Municipal Corporation, Ward No. 63, Kolkata Municipal Corporation, India | Tokyo, Tokyo, Japan |
|---|
| Place context | Ward No. 63, Kolkata Municipal Corporation, Ward No. 63, Kolkata Municipal Corporation, India | Representative site: Asahikawa, Asahikawa, Japan |
|---|
| Climate | 28°C · 12.8h daylight · 9 km/h wind | 7°C · 13.7h daylight · 2 km/h wind · via Asahikawa Station |
|---|
| Focus | Museum | 7 works in corpus |
|---|
| Architects | | |
|---|
| Linked context | Bureaus | Notable works - Asahikawa Station
- Takayama Station
- Makino Botanical Garden
- Tenshin Memorial Museum of Art, Ibaraki
|
|---|
| Typologies | | - performance venue
- landscape
- museum
- memorial
|
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| Materials | | |
|---|
| Carbon signals | Stone look like the main embodied-carbon drivers in the current palette. | The recorded material palette leans lower-carbon on paper, but procurement and quantity still matter. No dominant drivers yet. |
|---|
| Lower-carbon levers | - Check source geography, fabrication intensity, and whether stone is structural, cladding, or finish-only.
| - Track sourcing, certification, and assembly logic rather than assuming timber is automatically low impact.
|
|---|
| Accessibility | Publicly accessible | 7 of 7 recorded works are publicly accessible |
|---|
| Related books | No linked books yet. | No linked books yet. |
|---|
