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Compare works, bureaus, or a mixed set

Read a small selection side by side through images, place context, climate, typology, materials, carbon signals, accessibility, and related books.

1 selected · 1 other item held elsewhere in the compare set

1 selected · 1 other item held elsewhere in the compare set

The selected works stay in sync by slot, while the pins map where they sit inside the mixed set.

Tokyo Sea Life Park in Rinkaichō, Japan
Tokyo Sea Life Park

1989 · Rinkaichō, Rinkaichō, Japan

Tokyo Sea Life Park image

Public aquarium in Edogawa Ward, Tokyo

Site spread

Pins are normalized from the recorded work coordinates so you can read the set spatially.

Tokyo Sea Life Park

Rinkaichō, Rinkaichō, Japan · Exact work coordinates

OpenStreetMap
Field
Tokyo Sea Life ParkTokyo Sea Life Park

1989 · Rinkaichō, Rinkaichō, Japan

Hiroshi Naito Architect & AssociatesHiroshi Naito Architect & Associates

1981 · Tokyo, Tokyo, Japan

Typeworkbureau
Year / years19891981
PlaceRinkaichō, Rinkaichō, JapanTokyo, Tokyo, Japan
Place contextRinkaichō, Rinkaichō, JapanRepresentative site: Asahikawa, Asahikawa, Japan
Climate13°C · 13.3h daylight · 7 km/h wind7°C · 13.7h daylight · 2 km/h wind · via Asahikawa Station
FocusMuseum7 works in corpus
Architects
  • Yoshio Taniguchi
  • Hiroshi Naito
Linked context

Bureaus

  • Yoshio Taniguchi and Associates

Notable works

  • Asahikawa Station
  • Takayama Station
  • Makino Botanical Garden
  • Tenshin Memorial Museum of Art, Ibaraki
Typologies
  • museum
  • landscape
  • performance venue
  • landscape
  • museum
  • memorial
Materials

Not recorded yet.

  • timber
Carbon signals

museum and landscape gives us a typology starting point even though the work does not have a recorded material palette yet.

No dominant drivers yet.

The recorded material palette leans lower-carbon on paper, but procurement and quantity still matter.

No dominant drivers yet.

Lower-carbon levers

No levers surfaced yet.

  • Track sourcing, certification, and assembly logic rather than assuming timber is automatically low impact.
AccessibilityPublicly accessible7 of 7 recorded works are publicly accessible
Related books

No linked books yet.

No linked books yet.