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Compare works, bureaus, or a mixed set

Read a small selection side by side through images, place context, climate, typology, materials, carbon signals, accessibility, and related books.

1 selected · 1 other item held elsewhere in the compare set

1 selected · 1 other item held elsewhere in the compare set

The selected works stay in sync by slot, while the pins map where they sit inside the mixed set.

National Theatre of Iceland in Reykjavik
National Theatre of Iceland

1950 · Reykjavik, Capital Region, Iceland

National Theatre of Iceland image

Seed wave 43 image for the National Theatre of Iceland.

Site spread

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National Theatre of Iceland

Hero image

Seed wave 43 image for the National Theatre of Iceland.

Credit:

Rights: Unknown · unknown

Field
National Theatre of IcelandNational Theatre of Iceland

1950 · Reykjavik, Capital Region, Iceland

Hiroshi Naito Architect & AssociatesHiroshi Naito Architect & Associates

1981 · Tokyo, Tokyo, Japan

Typeworkbureau
Year / years19501981
PlaceReykjavik, Capital Region, IcelandTokyo, Tokyo, Japan
Place contextReykjavik, Capital Region, IcelandRepresentative site: Asahikawa, Asahikawa, Japan
ClimateClimate unavailable19°C · 13.7h daylight · 18 km/h wind · via Asahikawa Station
FocusNational theatre7 works in corpus
Architects
  • Guðjón Samúelsson
  • Hiroshi Naito
Linked context

Bureaus

  • Guðjón Samúelsson

Notable works

  • Asahikawa Station
  • Takayama Station
  • Makino Botanical Garden
  • Tenshin Memorial Museum of Art, Ibaraki
Typologies
  • theatre
  • cultural building
  • civic building
  • performance venue
  • landscape
  • museum
  • memorial
Materials
  • concrete
  • stone
  • timber
Carbon signals

Concrete and Stone look like the main embodied-carbon drivers in the current palette.

  • Concrete
  • Stone

The recorded material palette leans lower-carbon on paper, but procurement and quantity still matter.

No dominant drivers yet.

Lower-carbon levers
  • Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
  • Check source geography, fabrication intensity, and whether stone is structural, cladding, or finish-only.
  • Track sourcing, certification, and assembly logic rather than assuming timber is automatically low impact.
AccessibilityPublicly accessible7 of 7 recorded works are publicly accessible
Related books

No linked books yet.

No linked books yet.