| Type | work | bureau |
|---|
| Year / years | 2017 | 1981 |
|---|
| Place | Seoul, Seoul, South Korea | Tokyo, Tokyo, Japan |
|---|
| Place context | Seoul, Seoul, South Korea | Representative site: Asahikawa, Asahikawa, Japan |
|---|
| Climate | 8°C · 13.4h daylight · 3 km/h wind | 6°C · 13.7h daylight · 3 km/h wind · via Asahikawa Station |
|---|
| Focus | Skyscraper | 7 works in corpus |
|---|
| Architects | No architects linked yet. | |
|---|
| Linked context | Bureaus No linked context yet. | Notable works - Asahikawa Station
- Takayama Station
- Makino Botanical Garden
- Tenshin Memorial Museum of Art, Ibaraki
|
|---|
| Typologies | - skyscraper
- mixed-use
- high-rise
| - performance venue
- landscape
- museum
- memorial
|
|---|
| Materials | | |
|---|
| Carbon signals | Steel and Glass look like the main embodied-carbon drivers in the current palette. | The recorded material palette leans lower-carbon on paper, but procurement and quantity still matter. No dominant drivers yet. |
|---|
| Lower-carbon levers | - Prioritize recycled content, efficient sections, and procurement-specific EPD comparisons.
- Compare system-level facade options, reduce overspecification, and pair glass choices with structural reductions.
| - Track sourcing, certification, and assembly logic rather than assuming timber is automatically low impact.
|
|---|
| Accessibility | Publicly accessible | 7 of 7 recorded works are publicly accessible |
|---|
| Related books | No linked books yet. | No linked books yet. |
|---|