| Type | work | bureau |
|---|
| Year / years | 1998 | 1981 |
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| Place | Sydney, New South Wales, Australia | Tokyo, Tokyo, Japan |
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| Place context | Sydney, New South Wales, Australia | Representative site: Asahikawa, Asahikawa, Japan |
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| Climate | Climate unavailable | Climate unavailable · via Asahikawa Station |
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| Focus | Housing | 7 works in corpus |
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| Architects | | |
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| Linked context | Bureaus - Harry Seidler & Associates
| Notable works - Asahikawa Station
- Takayama Station
- Makino Botanical Garden
- Tenshin Memorial Museum of Art, Ibaraki
|
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| Typologies | | - performance venue
- landscape
- museum
- memorial
|
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| Materials | | |
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| Carbon signals | Concrete, Steel, and Glass look like the main embodied-carbon drivers in the current palette. | The recorded material palette leans lower-carbon on paper, but procurement and quantity still matter. No dominant drivers yet. |
|---|
| Lower-carbon levers | - Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
- Prioritize recycled content, efficient sections, and procurement-specific EPD comparisons.
- Compare system-level facade options, reduce overspecification, and pair glass choices with structural reductions.
| - Track sourcing, certification, and assembly logic rather than assuming timber is automatically low impact.
|
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| Accessibility | Access not recorded | 7 of 7 recorded works are publicly accessible |
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| Related books | No linked books yet. | No linked books yet. |
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