Compare

Compare works, bureaus, or a mixed set

Read a small selection side by side through images, place context, climate, typology, materials, carbon signals, accessibility, and related books.

Projects

1 selected · 1 other item held elsewhere in the compare set

Bureaus

1 selected · 1 other item held elsewhere in the compare set

Visual compare

The selected works stay in sync by slot, while the pins map where they sit inside the mixed set.

Hero image

2011 · Seoul, Seoul, South Korea

D-Cube City image

Mixed-Use in Seoul, South Korea

Map pins

Site spread

Pins are normalized from the recorded work coordinates so you can read the set spatially.

D-Cube City

Seoul, Seoul, South Korea · Exact work coordinates

Focused slot

Hero image

Mixed-Use in Seoul, South Korea

Credit:

Rights: Unknown · unknown

Comparison

Field	D-Cube City 2011 · Seoul, Seoul, South Korea	Hiroshi Naito Architect & Associates 1981 · Tokyo, Tokyo, Japan
Type	work	bureau
Year / years	2011	1981
Place	Seoul, Seoul, South Korea	Tokyo, Tokyo, Japan
Place context	경인로, 서울특별시, 대한민국	Representative site: 旭川駅北口広場, 神楽, 宮下通八丁目, 旭川市, 日本
Climate	11°C · 13.3h daylight · 8 km/h wind	18°C · 13.7h daylight · 17 km/h wind · via Asahikawa Station
Focus	Performance venue	7 works in corpus
Architects	Samoo Architects & Engineers	Hiroshi Naito
Linked context	Bureaus Samoo Architects & Engineers	Notable works Asahikawa Station Takayama Station Makino Botanical Garden Tenshin Memorial Museum of Art, Ibaraki
Typologies	performance venue hospitality office landscape	performance venue landscape museum memorial
Materials	Not recorded yet.	timber
Carbon signals	performance venue, hospitality, office, and landscape gives us a typology starting point even though the work does not have a recorded material palette yet. No dominant drivers yet.	The recorded material palette leans lower-carbon on paper, but procurement and quantity still matter. No dominant drivers yet.
Lower-carbon levers	No levers surfaced yet.	Track sourcing, certification, and assembly logic rather than assuming timber is automatically low impact.
Accessibility	Publicly accessible	7 of 7 recorded works are publicly accessible
Related books	No linked books yet.	No linked books yet.