| Type | work | bureau |
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| Year / years | 2011 | 1981 |
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| Place | Busan, Busan, South Korea | Tokyo, Tokyo, Japan |
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| Place context | Busan, Busan, South Korea | Representative site: Asahikawa, Asahikawa, Japan |
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| Climate | Climate unavailable | 7°C · 13.7h daylight · 2 km/h wind · via Asahikawa Station |
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| Focus | Cinema center | 7 works in corpus |
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| Architects | No architects linked yet. | |
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| Linked context | Bureaus No linked context yet. | Notable works - Asahikawa Station
- Takayama Station
- Makino Botanical Garden
- Tenshin Memorial Museum of Art, Ibaraki
|
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| Typologies | - cinema
- cultural building
- performing arts
| - performance venue
- landscape
- museum
- memorial
|
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| Materials | | |
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| Carbon signals | Aluminum, Steel, and Glass look like the main embodied-carbon drivers in the current palette. | The recorded material palette leans lower-carbon on paper, but procurement and quantity still matter. No dominant drivers yet. |
|---|
| Lower-carbon levers | - Focus on recycled content, lighter assemblies, and careful facade-specification choices.
- Prioritize recycled content, efficient sections, and procurement-specific EPD comparisons.
- Compare system-level facade options, reduce overspecification, and pair glass choices with structural reductions.
| - Track sourcing, certification, and assembly logic rather than assuming timber is automatically low impact.
|
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| Accessibility | Publicly accessible | 7 of 7 recorded works are publicly accessible |
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| Related books | No linked books yet. | No linked books yet. |
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