| Type | work | bureau |
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| Year / years | 2009 | 1981 |
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| Place | Athens, Attica, Greece | Tokyo, Tokyo, Japan |
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| Place context | Πλατεία Ομονοίας, Ομόνοια, Αθήνα, Περιφέρεια Αττικής, Ελλάς | Representative site: 旭川駅北口広場, 神楽, 宮下通八丁目, 旭川市, 日本 |
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| Climate | 17°C · 13.2h daylight · 5 km/h wind | 3°C · 13.4h daylight · 0 km/h wind · via Asahikawa Station |
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| Focus | Museum | 7 works in corpus |
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| Architects | | |
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| Linked context | Bureaus - Bernard Tschumi Architects
| Notable works - Asahikawa Station
- Takayama Station
- Makino Botanical Garden
- Tenshin Memorial Museum of Art, Ibaraki
|
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| Typologies | - museum
- archaeology museum
- cultural building
| - performance venue
- landscape
- museum
- memorial
|
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| Materials | | |
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| Carbon signals | Concrete, Glass, and Stone look like the main embodied-carbon drivers in the current palette. | The recorded material palette leans lower-carbon on paper, but procurement and quantity still matter. No dominant drivers yet. |
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| Lower-carbon levers | - Look for lower-clinker mixes, reused structure, and scope reductions before fine-grained product swaps.
- Compare system-level facade options, reduce overspecification, and pair glass choices with structural reductions.
- Check source geography, fabrication intensity, and whether stone is structural, cladding, or finish-only.
| - Track sourcing, certification, and assembly logic rather than assuming timber is automatically low impact.
|
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| Accessibility | Publicly accessible | 7 of 7 recorded works are publicly accessible |
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| Related books | No linked books yet. | No linked books yet. |
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